Posts Tagged ‘Bruce Hill’

Contributors

Tuesday, October 18th, 2011

Course coordinator

Associate Professor Joanna Mendelssohn

Lecturer

Jocelyn Payne

Publishing Committee

Amy Gardner, Craig Lee-Winser, Luke Letourneau, Henrietta Summerhayes, Martin Tokarczyk,  Tali Zeloof

Style Editor

Emily Coco Cox

Sub-editor

Michele Ferguson

Copy Editors

Sarah Bovis, Alexandra Fanning, Michele Ferguson, Poppy Galloway, Amy Gardner, Kate Gejakly, Lucy Hayward, Samantha Jones, Liam Kane, Dakota Lane, Craig Lee-Wisner, Luke Letourneau, Noel Myaing, Alyce Neal, Sarah Ryan, Henrietta Summerhayes, Martin Tokarczyk, Qingya Tu, Ingrid van der Griend, Emily Venn, Yuanyuan Wang, Tali Zeloof

Design

Nikki Brogan, Bruce Hill, Samantha Jones, Jessica Moses, Noel Myaing, Emilia Querin

Image copyright and permissions

Elizabeth Burrell, Alexandra Fanning, Dakota Lane

Madness in the square

Tuesday, October 18th, 2011

By Bruce Hill

Works from the main art movements that emerged in Germany during the early twentieth century are presented in the exhibition The Mad Square: Modernity in German Art 1910-37. Expressionism, Dada, Constructivism, Bauhaus and New Objectivity exploded onto the erratic social landscape of the period between the two World Wars. The artists of these movements shared a common interest in experimentation that extended across art forms; creating influential new directions in painting, photography, design, decorative arts, film, theatre, street art and political satire.

Images of the world on the brink of destruction and a generation disturbed by an uncertain future appear within the setting of the metropolis. Additionally, anxieties about the modern age were often centred on sexual representations of the female body: women were portrayed as symbols of modernity.

The Mad Square; Modernity in German Art 1910-37, Art Gallery of New South Wales, 6 August – 6 November 2011.