Posts Tagged ‘Qingya Tu’

Contributors

Tuesday, October 18th, 2011

Course coordinator

Associate Professor Joanna Mendelssohn

Lecturer

Jocelyn Payne

Publishing Committee

Amy Gardner, Craig Lee-Winser, Luke Letourneau, Henrietta Summerhayes, Martin Tokarczyk,  Tali Zeloof

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Emily Coco Cox

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Michele Ferguson

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Sarah Bovis, Alexandra Fanning, Michele Ferguson, Poppy Galloway, Amy Gardner, Kate Gejakly, Lucy Hayward, Samantha Jones, Liam Kane, Dakota Lane, Craig Lee-Wisner, Luke Letourneau, Noel Myaing, Alyce Neal, Sarah Ryan, Henrietta Summerhayes, Martin Tokarczyk, Qingya Tu, Ingrid van der Griend, Emily Venn, Yuanyuan Wang, Tali Zeloof

Design

Nikki Brogan, Bruce Hill, Samantha Jones, Jessica Moses, Noel Myaing, Emilia Querin

Image copyright and permissions

Elizabeth Burrell, Alexandra Fanning, Dakota Lane

On the cusp of modernity

Tuesday, October 18th, 2011

By Qingya Tu

Ernst Ludwig Kirchner, Woman in a Hat, 1911, oil on canvas, 95 x 85cm. Photo courtesy of the Art Gallery of New South Wales

Ernst Ludwig Kirchner’s painting Woman in a hat, 1911, portrays the figure of a sultry woman against a background of contrasting colours. It is an image that brings to mind a city on the cusp of modernity; a world where the role of woman is undergoing fundamental change and embracing new freedoms. The posture and dress of Kirchner’s woman may be a symbolic interpretation of an increasingly urbanised and industrialised society. Geometric patterns are evident in the work: this was common during the period as they were viewed as symbols of modern art. Kirchner’s repeated use of angular shapes on the woman’s body may indicate the conflicting and contradictory political ideas that existed at the time.

Ernst Ludwig Kirchner, Woman in a hat, 1911, oil on canvas, State Art Collection, Art Gallery of Western Australia, Perth